|
|
Tamoskaro Directory 03
Page 10
Breakfast was scarcely over at Hanz Toodleburg's before the neighbors, one after another, began to drop in to shake Tite by the hand, and welcome him home, and say "God bless you." Many of them brought little presents, to show how true and heart-felt was the friendship they bore him. And when he went down into the village he found himself surrounded by friends, all anxious to shake his hand, and to welcome him back, and to hear something concerning his voyage. In short, he was an object of curiosity as well as respect, for at that day there was a mysterious interest attached to a young man who had been a voyage round the world, it being associated with spirit and daring of a remarkable kind.
In the parish church at Saas-Grund there are two altar-pieces which deserve attention. In the one over the main altar the arrangement of the Last Supper in a deep recess half-way up the composition is very pleasing and effective; in that above the right-hand altar of the two that stand in the body of the church there are a number of round lunettes, about eight inches in diameter, each containing a small but spirited group of wooden figures. I have lost my notes on these altar-pieces and can only remember that the main one has been restored, and now belongs to two different dates, the earlier date being, I should imagine, about 1670. A similar treatment of the Last Supper may be found near Brieg in the church of Naters, and no doubt the two altar-pieces are by the same man. There are, by the way, two very ambitious altars on either side the main arch leading to the chance in the church at Naters, of which the one on the south side contains obvious reminiscences of Gaudenzio Ferrari's Sta. Maria frescoes at Varallo; but none of the four altar-pieces in the two transepts tempted me to give them much attention. As regards the smaller altar-piece at Saas-Grund, analogous work may be found at Cravagliana, half-way between Varallo and Fobello, but this last has suffered through the inveterate habit which Italians have of showing their hatred towards the enemies of Christ by mutilating the figures that represent them. Whether the Saas work is by a Valsesian artist who came over to Switzerland, or whether the Cravagliana work is by a Swiss who had come to Italy, I cannot say without further consideration and closer examination than I have been able to give. The altar-pieces of Mairengo, Chiggiogna, and, I am told, Lavertezzo, all in the Canton Ticino, are by a Swiss or German artist who has migrated southward; but the reverse migration was equally common.
The plot, as Oates invented and detailed it, was on the most magnificent scale imaginable. The pope himself was at the head of it. The pope, he said, had laid the subject before a society of learned theologians at Rome, and they had decided that in such a case as that of England, where the sovereign and a majority of the people had renounced the true religion, and given themselves up to avowed and open heresy, the monarch lost all title to his crown, and the realms thus fallen from the faith lapsed to the pope, and were to be reclaimed by him by any mode which it seemed to him expedient to adopt. Under these circumstances, the pope had assumed the sovereignty over England, and had commissioned the society of the Jesuits--a very powerful religious society, extending over most of the countries of Europe--to take possession of the realm; that, in the prosecution of this plan, the king was to be assassinated, and that a very large sum of money had been raised and set apart, to be paid to any person who would kill the king; that an offer of ten thousand pounds had been made to the queen's physician if he would poison him. The physician had insisted upon fifteen thousand for so great a service, and this demand had finally been acceded to; and five thousand had actually been paid him in advance. Besides the murder of the king, a general assassination of the Protestants was to take place. There were twenty thousand Catholics in London, for instance, who, according to Oates's account of the plan, were to rise on a preconcerted night, and each one was to kill five Protestants, which it was thought they could easily do, as the Protestants would be taken wholly by surprise, and would be unarmed. The revolution being thus effected, the crown was to be offered to Charles's brother, the Duke of York, as a gift from the pope, and, if he should refuse to accept it on such conditions as the pope might see fit to impose, he was himself to be immediately assassinated, and some other disposal to be made of the kingdom.
|
